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#2.3.2 THE ROLE OF THE CRITIC

By courtesy of Balletto Civile. © Marco Caselli Nirmal
By courtesy of Balletto Civile. © Marco Caselli Nirmal

If in Italy we waved goodbye to the old-fashioned image of the professional theatre critic appointed to go the theatre, see the show, go back home (or to a late night office) and write a review, a new position of this figure would arise that closely involves a relational dimension, linked to other figures and institutions and artists.

Continue with article #2.3.2.1 Relationship with other Figures
Back to article #2.3 University and Journalism

Thumbnail image of this article by courtesy of CollectivO CineticO. © Marco Davolio

 

Published on 11 May 2015