CONTEMPORARY THEATRE(S) IN ITALY

#2 PERFORMING ARTS CRITICISM

Muta Imago. Displace #1 La Rabbia Rossa. Photo by Luigi Angelucci — Muta Imago. From ‘Displace #1 La Rabbia Rossa’. Photo by Luigi Angelucci

To draw a short portrait of the contemporary performing arts criticism in Italy it is necessary to underline its marginality within the frame of the mainstream press and communication. As can be seen in the specific paragraphs, the traditional location for the criticism—the newspapers and the academic debate– has been deeply changing. Nowadays, it’s really difficult to make a living out of art criticism.

Continue with article #2.1 Between the web and the printed page

Thumbnail image of this article by courtesy of Valentina Bianchi & CollecitvO CineticO

Published on 30 April 2015

YOUNG EUROPEAN JOURNALISTS ON PERFORMING ARTS

CONTEMPORARY THEATRE(S) IN ITALY

#2 PERFORMING ARTS CRITICISM

#2.1 Between the Web and the printed Page

#2.2 Generations

#2.3 Professional Criticism

#2.3.1 University and Journalism

#2.3.2 The Role of the Critic