article
by Inês Nadais from Porto

The Rich and the Poor: Coming Together and Drifting Apart in the European Theatrical Landscape

On the Second Conference on Theatre Structures
interview
by Ina Doublekova from Sofia

Talking theatre and changing socio-political landscapes with Gorčin Stojanović

An interview with the Serbian director Gorčin Stojanović
Special Issue #1

terrorisms

Between 2013 and 2015, 5 UTE theatres explored what ‘terrorism’ meant in their respective societies.
review
by Ludvík Píza from Prague

An Unfortunate Tale Of Not Finding the Truth

A review of "Right You Are, If You Think So" by Luigi Pirandello at the Yugoslav Drama Theatre
essay
by Emiliia Dementsova from Moscow

Russian Theatres – Searching for Balance

An insight into Russia's theatre structures.
essay
by Ana Tasić from Belgrade

Theatre in Serbia today: the resilience of the socially engaged artists

An insight into Serbia's theatre structures.
essay
by Emiliia Dementsova from Moscow

The Threesome Tango: Spectator-Theatre-State

The politics behind Russia's theatres.
essay
by Elena Galanopoulou from Athens

Is Athens ready for take-off?

An insight into the theatre structures of Greece.
essay
by Herwig Lewy from Leipzig

German Theatre: Behind the Scenes of its Structures

An insight into Germany's theatre structures.
essay
by Diana Damian Martin from London

Theatre in the UK: Politics, poetics and resistance

An insight into the theatre structures of the UK.
essay
by Andrea Rádai from Budapest

Where do parallel lines meet?

Insight into the theatre structures in Hungary.
essay
by Ludvík Píza from Prague

THEATRE OF DIVERSITY

An introduction to Czech theatre.
article
by Sergio Lo Gatto from Rome

KORŠUNOVAS IN ROME. THE QUEEN, THE SERPENT, AND THE REFUGEE INFERNO

An account of the masterclass directed by Oskaras Koršunovas in Rome.
essay
by Kim Willems from Frankfurt

Looking for a strange language

An essay on the "ISO theatre" experience.
report
by Lucie Beraha from Paris

Identity, Sexuality, Language and Power

Reims Scènes d'Europe Festival, from 2 to 11 February 2017.
report
by Elena Galanopoulou from Athens

Europe: A library or a supermarket?

Roundtable in Vienna: Democracy in a migration society
report
by Ina Doublekova from Sofia

Role(s) Of Arts in Migration Europe?

Roundtable in Vienna: Democracy in a migration society
opinion piece
by Sergio Lo Gatto from Rome

SURTITLED THEATRICALITY. WHAT LANGUAGE DO ARTISTS EXPORT?

2016 Interferences International Theatre Festival: a reflection on international theatre
interview
by Ina Doublekova from Sofia

Festivals As States Of Culture Within Nation States

2016 Interferences International Theatre Festival: interview with Prof. Margarita Mladenova.
opinion piece
by Andrea Rádai from Budapest

In the stranger, I recognize myself

2016 Interferences International Theatre Festival: The Stranger's Odyssey
report
by Ludvík Píza from Prague

The Stranger’s Odyssey. Who am I, really?

2016 Interferences International Theatre Festival: The Stranger's Odyssey
interview
by Elena Galanopoulou from Athens

“Our theatre, such as this festival wants to belong to the whole city”

2016 Interferences International Theatre Festival: interview with Gábor Tompa
report
by Sergio Lo Gatto from Rome

Art, Economy, Europe. Strategies against dystopia

"Art, Economy, Europe", a conference held at the Teatro Nacional São João do Porto.
report
by Herwig Lewy from Leipzig

Voices at the Crossroads … or the Soul after Victory II

Prague Crossroads Festival: "to Havel with love".
report
by Sergio Lo Gatto from Rome

Václav Havel. A history of mentalities?

Prague Crossroads Festival: "to Havel with love".
essay
by Lucie Beraha from Paris

(A)LIVE

An Introduction to issues facing the performing arts in France.
report
by Sergio Lo Gatto from Rome

Harbour 40. On the docks of Europe

Readings from Europe, in the context of the 11th "Short Theatre festival" in Rome.
report
by Sergio Lo Gatto from Rome

THE ISO MASTERCLASS IN SOFIA. AFTER BECKETT, TOWARDS A GENETICS OF TRUTH

The masterclass directed by Margarita Mladenova and Ivan Dobchev at Sfumato Sofia
report
by Julie Kočí‏ from Prague

ISO Theatre – Porto 2016: Krausian Satire as well as a Cabaret Slapstick

A comment on the ISO residency in Porto, from the 22nd to the 30th May 2016.
report
by Sergio Lo Gatto from Rome

The objects in the mirror are closer than they appear

A comment on the ISO residency in Porto, from the 22nd to the 30th May 2016.
report
by Sergio Lo Gatto from Rome

Theatre structures in Europe. Arts between economy and identity

Conference on theatre structures in Europe and the Mediterranean.
report
by Elena Galanopoulou from Athens

Searching Theatrical Utopias in Porto

A comment on the ISO residency in Porto, from the 22nd to the 30th May 2016.
report
by Lucie Beraha from Paris

Finding solutions with Ludovic Lagarde

An account of the masterclass directed by Ludovic Lagarde in Reims.
report
by Sergio Lo Gatto from Rome

Europe Theatre Prize – A Jungle of Languages

A comment
report
by Lucie Beraha from Paris

Facing the strange in Craiova

A public discussion moderated by Sergio Lo Gatto in the context of the Europe Theatre Prize in Craiova, Romania
review
by Sergio Lo Gatto from Rome

The Own & The Foreign

Two-article report on the artistic activities in context of the UTE General Assembly at the Schauspielhaus Bochum
review
by Herwig Lewy from Leipzig

Gaudeamus igitur … or The Soul after Victory

Glasnost classic 'Gaudeamus' at the Piccolo Teatro in Milan
review
by Sergio Lo Gatto from Rome

Postcards from Vienna… in a Serbian November

report
by Inês Nadais from Porto

From Serbia to Syria

'There will be no borders here', says Volkstheater's artistic director Anna Badora
interview
by Sergio Lo Gatto from Rome

Right-wing populism: A quest for an alternative

An Interview with Chantal Mouffe
essay
by Sergio Lo Gatto from Rome

Contemporary Theatre(s) in Italy – Introduction

essay
by Boris Zafirov from Sofia

Theatre – an immune system of society

An insight into Bulgaria's theatre structures.
essay
by Inês Nadais from Porto

2000 – 2014

A time capsule of Portuguese theatre
article
by Nina Mochalova from Moscow

Interviews from Russia

#1 Alexey Bartoshevish - Алексей Бартошевич